This paper analyzes a fragment of ancient Egyptian portrayal of king (14th Cent. B.C.) looking at style, deformities, humanism, perspective; prevailing social, political & spiritual conditions of his kingdom.
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The purpose of this research is to discuss a fragment of a statue of Akhenaten.
What has remained of this portrait is the nose and the mouth. The work is from Tell el Amarna and is dated from 1379 to 1362 B.C. The fragment is of limestone and is probably one of the thirty statues that the king, also known as Amenhotep IV, built for the Aten temple at Karnak, or it was at least carved at about the same time (Lloyd 177).
Statues which are more complete works of this type exist and all have the same thick, protruding lips and round noses. These statues give us a better idea of what the pharaoh looked like. He had an elongated, gaunt face. His limbs were slender but his stomach and hips were wide. Portraits of him were almost caricatures because of the expressionistic exaggeration of form(…)
The purpose of this research is to discuss a fragment of a statue of Akhenaten.
What has remained of this portrait is the nose and the mouth. The work is from Tell el Amarna and is dated from 1379 to 1362 B.C. The fragment is of limestone and is probably one of the thirty statues that the king, also known as Amenhotep IV, built for the Aten temple at Karnak, or it was at least carved at about the same time (Lloyd 177).
Statues which are more complete works of this type exist and all have the same thick, protruding lips and round noses. These statues give us a better idea of what the pharaoh looked like. He had an elongated, gaunt face. His limbs were slender but his stomach and hips were wide. Portraits of him were almost caricatures because of the expressionistic exaggeration of form(…)