No Name Woman

This paper discusses Maxine Hong Kingston’s short story No Name Woman.

This paper examines Maxine Hong Kingston’s short story ” No Name Woman” finding that the tale is a profound exploration of traditional Chinese culture, the differences between Chinese culture and American culture, and a stern condemnation of the traditional roles of women in a Chinese society. The author discusses how te story is told through the eyes of three very diverse narrators, who all serve to convey a very different impression of the events.
“In No Name Woman, Maxine Hong Kingston uses differences and similarities in the three separate narratives to explore the mores of traditional Chinese culture, the differences between Chinese culture and American culture, and ultimately to condemn the traditional roles of women in a Chinese society. Clearly, the disparate narratives of the mother, aunt, and narrator all reveal a very different viewpoint on Chinese culture. The mother is clearly supportive of the aunt’s final fate, and symbolizes the traditional view of women in society. In contrast, the aunt’s narrative allows the reader to understand the effect of a traditional view at a personal, individual level. The narrator’s struggle to make sense of the story through her Americanized perspective also helps to reveal a great deal about traditional Chinese culture. Further, the juxtaposition of the narrators’ exploration of the story and the narratives of the mother and aunt allows for a revelation of the differences between American and Chinese culture. The aunt and mother’s traditional viewpoints allow us to better explore and understand the Americanized view of the daughter, and vice versa. The grim acceptance and disapproval of the mother’s traditional views creates very little sympathy for the traditional view of women in Chinese culture.”