A critical analysis of Arthur Miller’s classic, Death of a Salesman.
This paper looks at Arthur Miller’s American masterpiece, “Death of a Salesman”, which was first presented on the stage in New York City in 1949. The writer shows how the play is a successful literary attempt at blending the themes of social and personal tragedy within the same dramatic framework. By contrast, the writer focuses on the character of Willy Loman, which shows false values sustained by almost every publicity agency in the national life of the U.S.
“The character of Willy Loman, the themes of social and personal tragedy, and the overall commonality found within Miller’s play are prime territories for further exploration through the use of psychological criticism and literary deconstruction. In the realm of psychology, Willy Loman’s accomplishments and sources of pleasure appear to be simple and straight-forward, yet they do provide an excellent psychological foundation on his life, due to leading a very average existence as a traveling salesman which he believes will enable himself and his family to attain wealth and comfort.”
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