This paper gives a detailed analysis of the cinematography in the 1999 film “Being John Malkovich.”
Many different elements of cinematography as used in the film “Being John Malkovich” are examined in this paper. These elements include lighting, mise-en-scene, framing and the physical appearance of the characters. The paper focuses on the character of Malkovich himself and the changes that become apparent after Craig takes over his body.
“In the 1999 feature film Being John Malkovich by director Spike Jonze, the narrative structure is an important constituent of the story. This film raises questions about the nature of identity and explores the idea that some people are only completely free when their true self is hidden either behind a mask or beneath a costume. This main theme is conveyed through the combination of the film’s mise-en-scene, cinematography, and editing. It is these three elements which work together to deliver the message of the film and form the narrative slant.”