Modern Perspective in Short American Fiction

Uses short stories by Chopin and Bierce to show how their points of view are distinctly modern in style.

Chopin and Bierce set up fictions in which there is an oscillation between a stream of consciousness perspective and a more objective, peripheral perspective. This essay will examine how Chopin and Bierce’s short stories use perspective and argue that these two works are distinctively modern in their skillful manipulations of point of view.