Becoming a Master of Ballet

Talks about the extremely difficult criteria that must be met in order to become a master of ballet.

This paper gives an overview of the physical, social, emotional, and financial hardships that a professional ballet dancer must endure throughout his or her career.
“One of the hallmarks of good ballet dancing is the seemingly effortless grace of the performers. Particularly, the high-level dancers of a ballet company elevate movement to an art in motion, almost in defiance of the laws of gravity, and in direct distain to the limitations of the average human body. For these “prima ballerinas,” balance, range of motion, and control of muscle, borders on the miraculous “for to see them execute a grand jete (a running, jumping split), or a flawless grand battement (a kind of controlled kick), can conjure nothing short of slack-jawed awe.”